About this edition:
This book is a triumph of book design and bookbinding, meant to last for generations. It features:
- Full top-grade leather binding
- Genuine 22k gold gilt to all edges, front design, spine, and back
- Marbled endsheets
- Satin bookmark, sewn-in
- Hubbed spine with raised bands
- Smyth-sewn binding for durability
- Premium acid-neutral archival paper that will not yellow
A writeup by a book collector at Librarything.com:
OXFORD UNIVERSITY PRESS AND FRANKLIN MINT: One Brief, Shining Moment
The Franklin Library, the publishing division of The Franklin Mint, was of course, at one time, the nation’s largest publisher of great books in fine bindings. Founded in 1973, it ceased publishing in 2000. Its early editions ~ fully bound in genuine premium-grade, hand-cut leather, selected for quality of grain and texture ~ were designed and bound by The Sloves Organization, Ltd., an affiliate of the mint, whose bindery was one of the few in the world devoted exclusively to the crafting of fine leather books.
Printed from 1981 to 1985,* the Oxford/Franklin volumes are gorgeous ~ absolutely stunning in their production qualities. Oxford University Press, in fact, specially chose the publishing division of The Franklin Mint to design and produce its World’s Great Books series because of Franklin’s unsurpassed skill in achieving a premium-quality product: each Oxford book must also be ‘a wonder’ in the finest of bookbinding traditions and, if possible, exceed Franklin’s high standard. By that prestigious election, Franklin thus was also doubly honored and formally recognized for the awesome reputation it had achieved in the publishing world throughout the decade of the 1970s.
It is because of that ‘brief, shining moment’ in publication history that these fine classic Oxford/Franklin editions generally surpass anything else ever produced either before or after that time by any of today’s renowned publishing giants. Relatively few titles in the multi-edition Great Books series were given the fabulous full-leather treatment; most were quarter-bound volumes ~ very lovely indeed by the lights of their own publication merits ~ but still unable to boast the same ‘Rolls Royce’ elegance of their full-leather counterparts.
With the amazing illustrations of Gustave Dore.
Now storming fury rose,
And clamour, such as heard in heaven till now
Then Satan first knew pain
And writhed him to and fro.
Now Night her course began.
On the foughten field
Michael and his angels, prevalent
Encamping, placed in guard their watches round.
Nine days they fell.
Hell at last
Yawning, received them whole.
About Paradise Lost:
Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. It was originally published in 1667 in ten books, with a total of over ten thousand individual lines of verse. A second edition followed in 1674, redivided into twelve books with minor revisions throughout and a note on the versification; the majority of the poem was written while Milton was blind, and was transcribed for him.
The poem concerns the Christian story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton’s purpose, stated in Book I, is to “justify the ways of God to men” and elucidate the conflict between God’s eternal foresight and free will.
Milton incorporates Paganism, classical Greek references, and Christianity within the poem. It deals with diverse topics from marriage, politics and monarchy, and grapples with many difficult theological issues, including fate, predestination, the Trinity, and the introduction of sin and death into the world, as well as angels, fallen angels, Satan, and the war in heaven. Milton draws on his knowledge of languages, and diverse sources – primarily Genesis, much of the New Testament, the deuterocanonical Book of Enoch, and other parts of the Old Testament. Milton’s epic is generally considered one of the greatest literary works in the English language.