The Gambler/Notes from Underground – Dostoevsky

S$140.00

The Gambler/Notes from Underground – Dostoevsky

S$140.00

Title: The Gambler & Notes from Underground

Author: Fyodor Dostoevsky, Constance Garnett (trans), George Steiner (intr0), Alexandre Alexieff (illu)

Publisher: Limited Editions Club, 1967.

Condition: Limited edition. This is No. 232 of 1500 copies printed, signed by the illustrator. Very good. 1/4 leather with boards, in slipcase. Some wear to slipcase. Very slight rubbing to edges of the cover. Interior fine. About 11″ x 8″. A large book, overseas shipping will cost extra. 

SKU: gambler-lec Categories: , Tag:

About The Gambler (from Goodreads):

In this dark and compelling short novel, Dostoevsky tells the story of Alexey Ivanovitch, a young tutor working in the household of an imperious Russian general. Alexey tries to break through the wall of the established order in Russia, but instead becomes mired in the endless downward spiral of betting and loss. His intense and inescapable addiction is accentuated by his affair with the General’s cruel yet seductively adept niece, Polina. In The Gambler, Dostoevsky reaches the heights of drama with this stunning psychological portrait.

About Notes from Underground:

Notes from Underground, also translated as Notes from the Underground or Letters from the Underworld, is an 1864 novella by Fyodor Dostoevsky. Notes is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man’s diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky’s What Is to Be Done?. The second part of the book is called “Àpropos of the Wet Snow”, and describes certain events that, it seems, are destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.