A limited-edition facsimile of the first limited edition (prior to the launch of this trade edition) featuring the Dulac illustrations published by Hodder & Stoughton. Reproduced exactly from the numbered limited edition. With 20 tipped-in colour plates.
About Omar Khayyam (from wikipedia):
Omar Khayyám (18 May 1048–1131) was a Persian mathematician, astronomer, philosopher and poet. He also wrote treatises on mechanics, geography, and music.
Born in Nishapur, at a young age he moved to Samarkand and obtained his education there, afterwards he moved to Bukhara and became established as one of the major mathematicians and astronomers of the medieval period. Recognized as the author of one of the most important treatises on algebra before modern times as reflected in his Treatise on Demonstration of Problems of Algebra giving a geometric method for solving cubic equations by intersecting a hyperbola with a circle. He contributed to a calendar reform.
His significance as a philosopher and teacher, and his few remaining philosophical works, have not received the same attention as his scientific and poetic writings. Zamakhshari referred to him as “the philosopher of the world”. Many sources have testified that he taught for decades the philosophy of Ibn Sina in Nishapur where Khayyám was born and buried and where his mausoleum today remains a masterpiece of Iranian architecture visited by many people every year.
Outside Iran and Persian speaking countries, Khayyám has had an impact on literature and societies through the translation of his works and popularization by other scholars. The greatest such impact was in English-speaking countries; the English scholar Thomas Hyde (1636–1703) was the first non-Persian to study him. The most influential of all was Edward FitzGerald (1809–83), who made Khayyám the most famous poet of the East in the West through his celebrated translation and adaptations of Khayyám’s rather small number of quatrains (rubaiyaas) in Rubáiyát of Omar Khayyám.
I sometimes think that never blows so red
The Rose as where some buried Caesar bled;
That every Hyacinth the Garden wears
Dropt in her Lap from some once lovely Head.
And this reviving Herb whose tender Green
Fledges the River-Lip on which we lean–
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!
Ah, my Belov’ed fill the Cup that clears
To-day Past Regrets and Future Fears:
To-morrow!–Why, To-morrow I may be
Myself with Yesterday’s Sev’n Thousand Years.
For some we loved, the loveliest and the best
That from his Vintage rolling Time hath prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to rest.